This is another installment in the Pricing Your Work series.
Isn’t it just nerve racking trying to find the right price range for your work?
Too high, and people run away. Too low, and you’re looked at with an eye of suspicion.
It’s stressful, I know. There just has to be an ideal spot, somewhere, for your woodworking, price-wise. But why does it seem so hard to find?
You’re tired of guessing, you’re weary of wondering, and you’re absolutely nauseous from running the numbers over and over again. Where has it gotten you? Probably a few steps closer to massive indigestion and total hair loss, I’m guessing.
As you’re traveling the path to going pro here on the Journey, it hit me that there’s something I neglected to tell you that would take a lot, and I mean a lot of guesswork and stress out of figuring just how much to charge for your woodworking.
It’s not a complex formula, hidden trade secret, or ancient magic spell.
I’m talking about asking two key questions whose answers will tell you exactly where your prices need to fall. Find the answers to these questions, and you find clarity regarding your pricing.
Who else is making what you make?
Somewhere someone is in their shop designing and building something similar to you. It may not be exactly like yours, but it’s very similar. Why? Because you both are influenced by similar sources of inspiration, and because you share similar values, the work, or expression of those influences, ends up being very similar too.
Now, before you get all bent-laminated out of shape (did you catch that) let me explain that this is a good thing. Why?
Let’s say you want to start making reproduction 18th century Early American furniture. And for the sake of example, let’s also say that this has never occurred to anyone ever before to recreate this style of furniture. (I know it has, but we’re pretending here. Remember?) Now, before you start thinking this would be open season on hungry customers, I urge you to stop and think again.
If it’s never occurred to anyone to even start remaking this style of furniture, then more than likely, it’s never occurred to anyone to ever want to own that style either. Now do you see the problem? Yeah, you could eventually turn that into an advantage, but not after working ridiculously hard to convince people they wanted and needed to own that style of furniture. It’s doe-able, but it will more than likely burn you out before reaching success.
However, if you are entering a niche where people have been demanding reproduction Early American furniture, and the demand is growing so much that the current woodworkers can’t keep up, then you have a much better chance at making a great living filling the need and desire. No trailblazing, no convincing, just meet a small group where their desires intersect your abilities and furniture. Much easier. Trust me.
So, take a look around. Whether that means around the net, or around your immediate area, take a realistic look at who is making similar types of furniture and woodworking. These aren’t necessarily competitors, so don’t go looking to pick a fight or anything. You just want to get a firm grasp on what other people are making and why.
Also take a look around at related services revolving around your type of woodworking. Are there antique restoration services nearby? What about shops doing high end modern finish carpentry and specialized built-ins?
As you discover people that make what you do or make something similar to you, make a list of who they are, their contact info, and what similarities you two share in your work.
I like using Google Docs, but good ole’ pen and paper work wonderfully for this.
What you’re actually doing here, is getting a read on the demands for woodworking in your area or the area you want to serve. (Thanks to the Internet, you no longer need to rely on local demand to make woodworking your full time living.) Finding these fellow makers means you now have a terrific resource on what’s selling, where it’s selling, and also…
How much are people already paying for what you make?
As you’re discovering who’s doing similar woodworking as you, take a look at their prices.
If you’re on the web, you should be able to see all the prices right there on the web site. If not, email them, ask for prices, and remind them that they need to list their prices online (Tell them Adam said so).
If the people you found in the first step are local, why not pay them a visit and get a price sheet? Woodworkers are always thrilled to meet fellow makers. We’re a fantastic community in that way, aren’t we? I love that.
Also, as you’re checking out the related services around you, take some time to ask those folks what their customers are typically spending on furniture similar to what you’re making. Believe me, these people will know. Or at least, they should.
Go back to the list you made earlier, and put down the prices next to the woodworkers and service providers they correspond with. Get a good feel for their price range from highest to lowest, and make a note about what products and pieces are at each end of the spectrum.
Do you see any pieces that represent the type of woodwork you provide? Take a close look at the highs and lows of those particular prices. I find it helpful to write those out so I can see them apart from the others.
Now comes the realistic part.
Take a good look at you and your work. Consider your design process, woodworking methods, and finishing process. Look at it from an outsiders perspective. It’s very easy to downplay the value of your expertise and knowledge. It’s tempting to degrade yourself and your work and not believe you deserve to get paid what you desire.
But, that’s not you anymore. You’re past that selfish state of mind. You’re better than that now because you know your worth and you realize the value you deliver to your customers.
So looking at the price scale, where does your work belong in there?
Are you making pieces superior to what’s already being offered? If so, then maybe you belong slightly above the highest price bracket. Maybe you’re not quite the highest of high end with your skills, but you’re certainly not the worst of the bunch wither. In that case. find where you belong in the middle. But do that with the intention of going upwards in quality and price. Never find contentment just being in the middle.
Once you find a place to price your woodwork, I just bet you’ll have to raise your prices to meet this new found pricing sweet spot.
Like I said, you used to undervalue yourself. No more. Believe me, it’s better to go up than down. Besides, you now have proof right in front of you of how much you need to be charging. It’s right there in living color because someone else is doing it and people are paying for it.
Your last step is to change all of your previously posted prices in all of your media.
If you have brochures, flyers, price books, etc. go and change all of the prices and get things reprinted. Better yet, do away with all that paper and redo your web site to include prices and maybe even toss in a “Buy Now” button or two.
Finding that sweet spot for your woodworking prices isn’t as hard, frustrating, and torturous as you were making it out to be. It’s really just as simple as asking these two questions, and letting the answers do all the work for you. So, stop worrying, wondering, and guessing. Start aksing, observing, and succeeding.
So, is this a method that’s worked for you? Would you even want to go out and try this? What have I left out that you’ve discovered for yourself?